As many of you know, when I wrote The LEARNERS AT LOVE Series, it was the formation of many short parts published over the period of around six months on my blog – around four or five a week.
There were several reasons I was writing and several influences. I think I started writing Annabelle’s story because I had just come back from Australia wondering how it is that you can be on the opposite side of the planet from someone you love. How do you cope? What happens when someone else takes an interest with you and flirts with you? I had been through a lot that year, including a miscarriage, and my great adventure to spend the summer with Goldfinch – lots of mixed feelings, lots of inspirational experiences and lots of love.
It all came out in Annabelle’s story – love, romance, disappointment, humour, grief, major decisions, inspiration from the people around you, frustration with the people around you, warmth and encouragement, self-isolation and feeling lost, putting a brave face on for everyone around you, hiding things that are crushing you from within. It al came out in a fictional character, with a fictional story, with a lot of very real input from real life.
Airports sometimes feel like gateways to another world – another life. I kept on dreaming about being at the airport with Goldfinch – an experience I have had five times now. Annabelle too was going to journey through several airports along her voyage. I think that the 10,100 mile trip I took was why Annabelle ended up travelling so much. It seems a little odd after the Pandemic that she travels with such ease.
It was too intense to give Annabelle my story, it was just too much. But I found myself wanting to bring into her story other things that had happened in my life and the experiences of friends. I have a friend who almost lost her husband when he was in a serious traffic accident. I have a friend who has battled with very dark thoughts towards herself. I have family members who have made mistakes in the past with debt, gambling, alcohol and Class A drugs – and remarkably they have fought those battles and turned their lives around. I found myself weaving in things they have said, conversations we have shared, the experiences they have had with other people, the health service, and their own emotions as they tried to make progress with their battles.
As many other writers will have found, it is incredibly cathartic to weave lessons from life you have picked up yourself or from others, inspiration from real life, real people, real emotions into your fictional story. Writing Annabelle’s story was hugely helpful to me.
However, I sometimes wonder if I deluged Annabelle Riley with too much of an impossible situation at the point we meet her. I have never stopped editing the books I wrote, as far as correcting silly spelling mistakes and typos, and trying to liven up the narrative. However, I have come to a slight dilemma over how much she has been through in a short time. I have read Annabelle’s story several times with a red pen and updated my manuscript with minor amendments to improve the text.
There are some parts of her story which are essential and cannot disappear because otherwise the rest of her story won’t make sense. I cannot tamper with her relationships with her parents and siblings or her ex-boyfriend. They all have to stay. But from the point she met Robin, I keep looking at all that happens in a short space of time – and of course this is all backstory, because we meet Annabelle several years after she meets Robin – him leaving because his contract has ended and his Visa has expired, her pregnancy, her trip to England, the car accident, the post-natal depression, the grief, the nervous breakdown Robin experiences.
I sometimes wonder if it is too much for one person to endure? Why did I give her so many challenges? Then I remember, well, I guess that I was the one doing the writing, and perhaps part of what fueled me was my own experiences, being trolled and slandered by Jack’s fans, being sexually assaulted and violently attacked, moving around to find somewhere I felt safe, settled and could work independently, falling in love, him leaving because his contract had ended, my pregnancy, my miscarriage, my trip to Australia, my sadness that I had to come back to London and carry on without knowing what the future would hold. All that was bottled up inside, and it came out in Annabelle’s story.
Does Annabelle have too many challenges on her plate? I don’t know. But what I do know is that cliches do not solve her challenges. She has journey on through life, learning about herself, making peace where she can with her past, enduring judgmental comments from others, struggling to communicate, feelings of isolation with her challenges, fear and mistrust, being knocked down by her own failings and sensitive to harsh words from others who seem to be judging her harshly, trying to build a life for herself and realizing that things beyond our control can knock us way off track.
I need to do some brutal editing to the first book. I know there are some passages that are repetitive, and I think repeating her challenges over and over can drag a reader down. But at the same time, I know that when I started writing Annabelle’s story, I was in a way at a crossroads in my life, having been through some very traumatic and painful events, and not being sure what the future held. I think I need to preserve the weight of her challenges, and that she is sort of in a state of “limbo” when we meet her. But the brutal editing ahead of me is about not letting the challenges dominate, but finding the right balance of humour and heartwarming characters to carry Annabelle forward as she continues her voyage of a lifetime.
10 thoughts on “The Editing Never Really Ends – Does It?”
Nope! I try not to reread my older stuff because then I’d want to change it and never progress to something new!
Sometimes when we read what we wrote after a gap, we can find things that doesn’t seem right in the events. I think an edit will be a huge task but maybe it’ll bring you more joy from your book.
Life is a brutal learning curve, one we can never quite finish editing no matter how hard we try.
I need to read your first two books. Book three was brilliant Caramel – there were no cliches, and it was not too heavy, but it was real, it showed the patience you need when it comes to recovering from a crisis.
I want to read these books – your writing is a joy to read.
I read somewhere not to edit as you go or ever too much because you lose track of your thoughts and your creative spark. I’m excited for you! I think writing is an amazing way to process and heal.
I thought Annabelle was very human. She’d been through a lot, but she was dealing with it in a very realistic way rather than just soaring through and turning everything into rainbows and unicorns.
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Thank you so much Ashley – I know that if I do edit anything there will never be rainbows and unicorns! It had to feel real – and although I guess everyone has different journeys after a crisis or challenge to their emotional health – I know in my own case there were never rainbows and unicorns!
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I two have written two books that I am constantly editing. It reminds me of painting. When do you know it’s done? I guess when someone buys it. Da Vinci worked on the Mona Lisa his whole life but in the end. It is a masterpiece. I too would love to read you books.
I sometimes think editing is like another layer of paint on a painting, not necessarily a good thing.